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INTERCULTURAL PRACTISES UNIT 1

Week 47: 30 October – Storytelling/Story Making: Experiments and Prototyping

WATCH : Tension | LinkedIn Learning

  • mportance of Tension: Tension is crucial in storytelling as it keeps the audience emotionally invested and engaged.
  • Examples of Tension: The video uses examples from “Mission: Impossible III” and “Romeo and Juliet” to illustrate how tension makes stories compelling.
  • Aristotle’s Framework: Aristotle’s idea of creating gaps between what is and what a character wants, and then closing and opening new gaps, is a method to build tension.
  • Balance of Tension: Too much tension can be overwhelming, while too little can make the story uninteresting. Finding the right balance is key.

In your field, incorporating tension can make your animations more engaging and compelling for your audience.

  1. TASKS
  • Please draft a 250+ word statement about the story you’re telling your audience (no specific format required).

What story am i telling? Im confused

STORY ISNT ABOUT REPRESENTING WHAT HAPPENED TO MAIP FOR THE BENEFIT OF THE COURSE.

WE HAVE THE SCHEDULE OF THE MODULES ON THE SITE LIKE WE KNOW

STORY IS ABOUT= WHAT IT HAS MEANT TO US!

WHAT IS YOUR INSIGHT!!!!!!!!!!!!!!!!!!!!!!!!! WHAT DID U TAKE FROM IT

WHAT DID U LEARN

WHAT DID U EXPERIENCE

HOW DID IT PUSH U TO GROW

HOW DID IT DEEPEND YOUR INTERCULTURAL UNDERSTANDING~

let’s discuss!

  1. how would you call your ‘user’?
  2. what do you think their goal is (when encountering your work)?
  3. what’s the narrative arc of your chronicles?

let’s make!

  1. draft a ‘user’ journey map through your chronicles

motivations:

  • fatma. evoke a feeling; people to feeling inspired. narrative: life is about struggle and challenges. focus on process. Emotion should be there so that people can relate to your work.
  • alia. form of union with the audience. unification with the work. relating with each other in familiar ways.
  • yeh na. people to feel relax; a moment of respite? opening up moments of calm to a broader demographic, who doesn’t always find it accessible to encounter art.
  • meli. 

meli: translate my sence of self to whomever may see it, comprehend it and feel it 

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INTERCULTURAL PRACTISES UNIT 1

Week 46: Communicating Practice

As you continue to develop your chronologies and portfolio of failure, we’ll explore content supporting U5’s submission. This Wednesday, 23 Oct., we’ll explore how to communicate our practice. You need to complete a brief task for this session: writing a 250-word statement about your practice. You can check the prompts in Moodle here: https://moodle.arts.ac.uk/mod/book/view.php?id=1331784&chapterid=102676. We’ll use this as a base for some exercises.

  • What are your art practice’s key ideas, issues, struggles, and goals?
  • What is the thematic focus of your work (e.g. goal, purpose, intention, exploration)?
  • What is the content of your work (e.g. themes, ideas, subject matter)?
  • What influences your work (e.g. cultural, historical, theoretical, art historical, personal, biographical, etc.)?
  • What form does your practice take (e.g. materials, processes, tradition of work such as abstract, figurative, etc.)?
  • Describe your process and what the work looks/sounds/feels like.


This is a reminder that we’ll meet at 12:00 for Open Studio to share highlights from our Fall Festival of Failure. I’ll kick off with my own lessons from failure and my little pushes. I look forward to seeing you on Wednesday, and I wish you a great start to your week!

talk by head of CSM, Rathna Ramanathan. https://www.youtube.com/live/n31T7jUzHUs – ask yourself how your Unit 5 submission embodies your situated and specific cultural context while also considering how it might resonate in other places/contexts?

FALL FESTIVAL OF FAILURE

MARSHA’S EXAMPLE:

Mine lmao

NOTES FROM MEETING WITH PAUL;

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INTERCULTURAL PRACTISES UNIT 1

Week 45: 16 October – Formative Feedback (Refreshing Feedback)

Be prepared to present your work in progress for Unit 5: Body of Chronicles + Portfolio of Failure. The presentation format and requirements are detailed belo

The First Annual Fall Festival of Failure (14 Oct–10 Nov)
For the next month, we’ll engage in the practice of ‘little pushes’.

Premise: Based on inverting Sir Dave Brailsford’s Marginal Gains (starts at 6:37)—the focus is on a ‘little push’ and taking risks.

  • Optimizing the cyclists’ sleep by designing the best pillows and mattresses.
  • Improving riders’ nutrition by tailoring it specifically for each individual.
  • Enhancing the cleanliness of team equipment to reduce the risk of illness.
  • Even applying aerodynamic improvements to clothing and bicycles.
  • Commitment: Being fully dedicated to the goals and process of improvement.
  • Ownership: Taking personal responsibility for every aspect of one’s performance.
  • Responsibility: Ensuring accountability within the team and personal levels.
  • Excellence: Always striving for the highest possible standards in all aspects of preparation and performance.
  • Principles:
    1. Complete one ‘little push’ on 25 out of 28 days; there’s value in little and often. 
    2. Document your results. 
    3. Fail in the service of your practice. This can be established or shaped through the contest. 
    4. The contest is the context; you are competing against yourself.  
    5. We’re pushing together. Anticipate sharing your wins and losses in open studio + online. 

Is this largely part of what we will be evaluated on in UNIT 5??? Why is this not in the brief? Will we be graded on the evidence?????

What is this form for?? if it is 25 pushes in 28 days then why is it only 7 boxes?

https://docs.google.com/document/d/1WyO6DL5neUMOhAxt8Hy1wDfg2hiVZvEWGyLB_is40KE/edit?usp=sharing

Provide an example of a failure in your practice.

painting for client with cy environment- focusing too much on detail and it came out frozen and charmless but then i got drunk and fixed it? (?) inappropriate lmao

LIVE SESSION

16 October 2024 

We will spend the session on Formative Feedback. 

Each of you will have a slot of 15 minutes. Within this time slot, you’ll present an overview of Unit 5: Body of Chronicles + Portfolio of Failure + engage in feedback. You’re responsible for managing your time, so allocate it wisely. For instance, you could do an 8-minute presentation with 7 minutes of feedback. Alternatively, a 10-minute presentation with 5 minutes of feedback—it’s up to you! 

We’d like you to identify another cohort member to moderate your feedback time. For instance, person A presents, and person B moderates the feedback. 

What will you present? This presentation of Unit 5 goes beyond a plan. We’d like you to show us your work in progress and how things are coming together, and we’d like you to address how you’re using your practice to address Unit 5.


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INTERCULTURAL PRACTISES UNIT 1

WEEK 44: Resourcing Practice: Archiving and More, Including Concision!

    • Please schedule a Unit 4 1:1 tutorial with Paul (link to follow very soon).- scheduled!!
        
  1. TASKS
    • Take stock of your first year. 
    • Be prepared to present your plan for Unit 5: Body of Chronicles + Portfolio of Failure. Show an example from either part of your work in process (2.5 mins). 
    • Identify a resource related to archiving that you think is interesting or important to your work (2.5 mins).

3. READ + WATCH + LISTEN

NOTES FROM THIS MEETING!!!

MAIN POINT IS IS IT INTEGRAL TO HOW I EVOLVED MY INTERCULTURAL PRACTISE IN BOTH UNITS

rebel specifically:

Show how your practise -> thoughts, instincts etc guise you during the process of all units!

think of what competences do we rely on the most?

PROFESSORS WILL JUDGE HOW U produce a piece of reflection judging how u think about reflective practise and how u use evidence and articulation of your story.

ALLOW ANAYLISIS AND CURIOSITY ABOUT ACTIVITY.

DEVELOP ACCURACY, HOW THE PROCESS EVOLVES

PROCESS YOUR SELF AWARENESS AND OBSERVATIONS THAT WILL DIRECT YOU

LOOK AT CROSS CUTTING COMPETENCES AGAIN (UNESCOS)

prioritise info.

SOURCES I AM LOOKING INTO ===

Maurice_Halbwachs_On_Collective_Memory_1992-libre.pdf (d1wqtxts1xzle7.cloudfront.net)

https://books.google.co.uk/books?hl=en&lr=&id=ejfnDwAAQBAJ&oi=fnd&pg=PP8&dq=Maurice+Halbwachs+%E2%80%93+%22On+Collective+Memory%22+(1950)&ots=_7_AqLEbAk&sig=Lio_tsmmYeDdr58UC7qmUHvBor4#v=onepage&q=Maurice%20Halbwachs%20%E2%80%93%20%22On%20Collective%20Memory%22%20(1950)&f=false
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INTERCULTURAL PRACTISES UNIT 1

WEEK 43

RETURN AFTER SUMMER BREAK <3 <3

Please be sure you have access to TEAMS + our MIRO BOARD. Spend some time looking around MoodleDONE

Review the attendance policyDONE


Prepare short report-backs on what I did on my summer vacation

progress on Unit 5 + progress on Unit 4. !!

Tasks refresh your knowledge of action research and forage for a useful resource you can share with your cohorts. Everyone should come with at least one and be able to say why you think it’s relevant. 


(Re)Read the Wikipedia entries for interculturalism and transculturalism.

(Re)read Intercultulrual Competencies:  Conceptual and Operational Framework – by the end of MAIP, you should know this like the back of your hand. 

Dip (again) in and out of this free Open University course, Looking at, Describing and Identifying Objects

UNIT 5 MIRO LINK :https://miro.com/app/board/uXjVLYVTqXQ=/?share_link_id=350319281575

UNIT 4 MIRO LINK: https://miro.com/app/board/uXjVNpVeJKY=/?share_link_id=905886338186


I ADDED NOTES BASED ON THEIR FEEDBACK AND WHAT THEY SAID THROUGHOUT THE ENTIRE CLASS!

UNIT 5

UNIT 4: Rebel

An action research process is a form of experiment and trial.

Important slides

EVIDENCE AND INSIGHT